“One incident can change a lifetime.” I do not own the copyright for this image |
The movie starts in a psych ward
the first image we see of Bradley Cooper (Patrick) is of his back as he talks
to no one, yet he is starting to unravel his inner thoughts on life, and
‘excelsior’ and his quest to get in shape, and do whatever it takes to make his
wife Nikki fall back in love with him. Since it was the ‘incident’ with the
history teacher that drove him to spend eight months in the psych ward. I
automatically fall in love with Bradley’s character because of his fast pace
ramblings about changing his life for the better is good and sincere.
Coming home to his father Patrick
Senior (Robert De Niro) was a surprise since the mother Dolores (Jacki Weaver)
picked him up in secret. At first it has the typical family awkwardness, the
set up of the scene is Bradley in the doorframe while his family is framed on
the other side of the family room. This isn’t your typical ‘crazy people’ kind
of movie where everyone makes a big deal about that person being crazy; it’s
about acceptance and adapting again to life. We also see it’s not only Patrick
that has his own demons to fight. We see the quirks of Patrick Senior with his
OCD compulsions and anger management problems, his friend Danny (Chris Tucker)
giving his life a second chance after his hospital stay and Ronnie; (John
Ortiz) Patrick’s only friend in the neighborhood is struggling with his
marriage to Veronica (Julia Stiles) and their new baby. Patrick is only put to the test when Tiffany
(Jennifer Lawrence), Veronica’s sister comes into the picture.
Tiffany (played by Jennifer
Lawrence who deserves to win Best Actress for this performance) is just as
quirky, sarcastic and loveable with her inappropriate behaviors and ‘no-filter’
way about how she talks to people. At first she comes off to Patrick as an
annoying girl but has great sex appeal. As much as they bicker and banter to
start with the connection grows with each scene and it makes you hungry for the
next time the pair are on the screen together. The characters challenged each
other on screen and they were the most vibrant and expressive performers. The
way they not only interacted physically with one another, but their dialogue
was impeccable, sarcastic and quick, yet clear and entertaining. Automatically,
the audience is okay with their inappropriate behaviors because they are a
little ‘messed up’ in the head. Patrick and bi-polar dysfunctional man whom
works out in trash bags and Tiffany, a young, depressed, reformed-slut widow
are just sane enough for us to root for them to find solace and hope in each
other.
My favorite moment with the two was the techniques they used to show Patrick having a break down. We see it first in the
psychiatrist office when his trigger song, My
Cheri Amor comes on. There are flashbacks and spinning camera angles that
get you inside Patrick’s head and you see his ‘illness’ in a whole new light.
So when his break down comes on outside a movie theatre with Tiffany and a
group of kids we see again the camera angles swirling, showing distortion and madness. The music and sounds
around him are fading and echoing, but a face sticks out and is calm and steady like the camera frame that holds her face, Tiffany. She breaks through the chaos of
his mind and calms him down. It is right then and there you know she is his
saving grace for normalcy and sanity.
And of course while you watch the movie, you see he is her medicated
saving grace as well.
There are more beautiful and pure
moments throughout the movie, especially when giant revelations happen that
move the plot that make you sometimes want to gasp out loud, (which, not going
to lie I did a few times.) From the entertaining and funny jogs Tiffany and
Patrick do together, the dance scenes/montages, Tiffany’s big monologue after
the Eagles game and the psychologist visits, these scenes leave you with information
to reveal more about the characters and who they are as the story progresses.
If you feel you learned something from a character or was moved by a certain
character’s action or scene, then David O. Russell has done his job. I believe
you can still be able to love the book and love the movie adaptation as a separate
piece of art.
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